{"id":2551,"date":"2025-04-25T11:59:05","date_gmt":"2025-04-25T11:59:05","guid":{"rendered":"https:\/\/artencounters.ro\/artist\/1750\/"},"modified":"2025-05-19T07:31:39","modified_gmt":"2025-05-19T07:31:39","slug":"1750","status":"publish","type":"artist","link":"https:\/\/artencounters.ro\/en\/artist\/1750\/","title":{"rendered":"Veronika Hapchenko"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Veronika Hapchenko (b.1995, Kyiv) is living and working in Krakow. Her practice spans painting and object-making, exploring the myths and ideologies of the former USSR through revolutionary art, esotericism, and militarism. Her recent focus is on modernist mosaics from Ukraine and other Soviet republics, many now destroyed in the war. <\/span><i><span style=\"font-weight: 400;\">Shelter<\/span><\/i><span style=\"font-weight: 400;\"> (2022), a triptych inspired by Alla Horska\u2019s <\/span><i><span style=\"font-weight: 400;\">Windfighter<\/span><\/i><span style=\"font-weight: 400;\"> mosaic in Mariupol, was shown at K1 Kanal Pompidou and the Dhaka Art Summit. In <\/span><i><span style=\"font-weight: 400;\">Interloper<\/span><\/i><span style=\"font-weight: 400;\"> (2023, Warsaw Gallery Weekend), she responded to Ivan Lytovchenko\u2019s monumental works from Pripyat. <\/span><i><span style=\"font-weight: 400;\">Against the Grain<\/span><\/i><span style=\"font-weight: 400;\"> (2024, New York) explored the Soviet Northern River Reversal Project. <\/span><i><span style=\"font-weight: 400;\">Reconstruction, Time out of Joint<\/span><\/i><span style=\"font-weight: 400;\"> (2024, Piraeus) reflected on the 1944 forced deportations of ethnic groups in the USSR. Her works were also presented at the Future Generation Art Prize (2024, Pinchuk Art Centre, Kyiv).<\/span><\/p>\n<p><br style=\"font-weight: 400;\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Veronika Hapchenko (b.1995, Kyiv) is living and working in Krakow. Her practice spans painting and object-making, exploring the myths and ideologies of the former USSR through revolutionary art, esotericism, and militarism. Her recent focus is on modernist mosaics from Ukraine and other Soviet republics, many now destroyed in the war. Shelter (2022), a triptych inspired [&hellip;]<\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"bienala":[22],"class_list":["post-2551","artist","type-artist","status-publish","hentry","bienala-biennial-2025"],"acf":[],"_links":{"self":[{"href":"https:\/\/artencounters.ro\/en\/wp-json\/wp\/v2\/artist\/2551","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artencounters.ro\/en\/wp-json\/wp\/v2\/artist"}],"about":[{"href":"https:\/\/artencounters.ro\/en\/wp-json\/wp\/v2\/types\/artist"}],"wp:attachment":[{"href":"https:\/\/artencounters.ro\/en\/wp-json\/wp\/v2\/media?parent=2551"}],"wp:term":[{"taxonomy":"bienala","embeddable":true,"href":"https:\/\/artencounters.ro\/en\/wp-json\/wp\/v2\/bienala?post=2551"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}