Was born in Poland, grew up in Romania and settled in Paris in 1967. He is an artist who distinguished himself by exploiting his own marginality. His conceptual work, self-defined as “endless painting”, questions the limits imposed between painting and sculpture as well as the rigidity of exhibition spaces, through unexpected artistic interventions inside and outside them. This stick becomes the mode of expression allowing Cădere to juggle with codes and constraints, and to outwit the system. He undoubtedly questions institutions and exhibition schemes, and this allows him to assert his independence as an artist by leaving his sticks here and there. A real field of exploration, a concept that follows him wherever he goes, beyond the exhibition space.