Eduardo Navarro (b.1979, Argentina) lives and works in Uruguay. His works insist on the power of deliberate uncertainty, intuition and curiosity, and provide a space where language allows us to inhabit non-human entities, such as a cloud, a flower, or an octopus, and to imagine how they sense and communicate in the world. The artist’s practice expands to a series of mediums, such as sculpture, drawing, and performance, and invites those who experience them to enter a state of deeper contemplation, which may blur the illusory boundary between the inside and outside world. His recent solo exhibitions include Proyectos Ultravioleta, Guatemala (2021); Gasworks, London (2020); The Drawing Center, New York (2018); Der TANK, Basel (2017); and the Tamayo Museum, Mexico City (2016). Eduardo Navarro’s work has been exhibited at the Wanås Art Foundation (2024); Gherdenïa Biennial (2022); Toronto Biennial (2022); São Paulo Biennial (2016, 2010); New Museum Triennial, NYC (2015); and Sharjah Biennale (2015). He is a Visual Arts Scholar for the Botin Foundation.