Siniša Ilić (1977, Belgrade) is a visual artist who combines works on paper with installation, video, and performance. His work revolves around exploring different social tensions, cultural heritage, labor conditions, or migration, as well as finding ways to nurture friendship and solidarity in uncertain conditions. The artist is interested in how the past often finds ways to seep through the cracks and whether it can be reconciled with the present moment. Ilić is a co-founder of TkH (Walking Theory 2000-2017) art and theory platform from Belgrade. Ilić collaborates with other artists and authors on a range of group and research projects. Ilić has shown his works at: October Salon, MOCA, CZKD, Belgrade; MOCA, Gallery Nova, Zagreb; Kunstraum, Innsbruck; MAXXI Museum, Rome; MMSU Rijeka, Apoteka, Vodnjan; Georges Pompidou Center, Kadist Art Foundation, Paris; Tate Modern, Calvert 22, London; Ural biennial, Yekaterinburg; Lofoten Festival, Norway; MOCA, Ljubljana; Kunsthalle, Welt Museum, WUK and Open Space, Vienna; DEPO, Istanbul; National Gallery Prague, Arsenal Gallery, Bialystok; Tennis Palace Museum, Helsinki, etc.