Ana Janevski

Ana Janevski is a curator and writer who is currently curator in the Department of Media and Performance Art at The Museum of Modern Art, New York where she organized “Joan Jonas: Good Night Good Morning” and co-organized “Judson Dance Theater: The Work is Never Done” among many other exhibitions. She organized more than thirty perfomances and has been involved in the shaping of the performance program at MoMA. From 2007 to 2011, Janevski held the position of curator at the Museum of Modern Art in Warsaw, Poland, where she curated, among many other projects, the large-scale exhibition and accompanying publication “As Soon As I Open My Eyes I See a Film,” on the topic of Yugoslav experimental film and art from the 1960s and 1970s (2011). She regularly contributes to and coedits publications on performance, the body, and the history of art in Yugoslavia including: Art and Theory of Post-1989 Central and Eastern Europe (co-edited with Roxana Marcoci and Ksenia Nouril, 2018); Boris Charmatz, MoMA Modern Dance Series (2017); and Is the Living Body the Last Thing Left Alive?: The New Performance Turn, Its Histories and Its Institutions (co-edited with Cosmin Costinas, 2017). Janevski lives and works in New York.