
๐๐ง ๐๐จ๐ง๐๐๐ฒ, ๐๐๐ฉ๐ญ๐๐ฆ๐๐๐ซ ๐๐, ๐๐ญ ๐๐:๐๐, we open The Autumn School of Curating with a public talk built around the topic of synchronicity and how it determines new ways of thinking about the worldโs events and challenges.
Our ๐ฌ๐ฉ๐๐๐ข๐๐ฅ ๐ ๐ฎ๐๐ฌ๐ญ is curator Philippe Van Cauteren (artistic director of S.M.A.K. Ghent), who is also the leader of this yearโs edition of TASoC.
๐๐๐๐๐ ๐๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐๐๐
He is the artistic director of S.M.A.K. (Museum for Contemporary Art, Ghent, Belgium). He studied sociology and art history at the University of Ghent. For the 55th edition of the Venice Biennale, he co-curated the exhibition โCripplewoodโ with the work of Berlinde De Bruyckere for the Belgian Pavilion. In 2015 the Ruya Foundation commissioned him to curate the Iraqi Pavilion for the 56th Venice Biennale. At the invitation of the Siddartha Arts Foundation, he curated the exhibition โMy City, My Studio / My City, My Lifeโ for the Kathmandu Triennial in 2017. In the same year, he made an exhibition with a selection from the Barjeel Art Collection for the Institut du Monde Arabe in Paris. Philippe Van Cauteren published the book ๐ณ๐๐๐๐๐๐ ๐๐ ๐จ๐๐๐๐๐๐ – a compilation of letters he has been writing to artists for the past 15 years.
๐๐๐๐๐๐๐๐
๐๐๐๐ ๐กโ๐๐ ๐๐ฃ๐๐ ๐๐๐ ๐๐๐ ๐ ๐๐๐ ๐ ๐กโ๐๐ก ๐กโ๐ ๐ค๐๐๐๐ ๐๐๐ ๐กโ๐ ๐๐๐ก ๐ค๐๐๐๐ ๐๐๐ ๐๐ ๐๐๐๐๐๐๐ข๐ ๐๐๐ข๐ฅ. ๐๐ ๐ ๐๐๐ ๐ก๐ ๐๐๐๐ฃ๐ ๐กโ๐ ๐๐๐ ๐ก โ๐๐ ๐ก๐๐๐๐๐ ๐๐โ๐๐๐ ๐๐ ๐๐๐๐๐ ๐ก๐ ๐๐๐๐ ๐ก๐๐ข๐๐ก ๐กโ๐ ๐๐๐ ๐ก ๐๐ ๐กโ๐ ๐๐ข๐ก๐ข๐๐ ๐ก๐ ๐๐๐๐. ๐โ๐ ๐ ๐ฆ๐๐โ๐๐๐๐๐๐๐ก๐ฆ ๐๐ ๐๐ฃ๐๐๐ก๐ ๐๐๐ ๐๐๐๐๐๐๐๐ ๐ค๐๐กโ ๐คโ๐๐โ ๐๐๐ ๐๐ ๐ ๐ข๐๐๐๐ ๐๐๐๐ฆ ๐๐๐๐๐๐ก๐๐ฆ ๐๐ ๐๐๐๐๐๐๐๐ก๐๐ฆ ๐๐๐๐๐ ๐๐ ๐๐ ๐๐๐ ๐ ๐๐๐๐๐๐๐๐๐ก ๐๐๐๐ ๐๐ ๐๐๐ก๐๐๐ ๐๐๐ ๐กโ๐๐๐๐๐๐. ๐ด๐๐ ๐๐ก ๐๐๐ก๐ก๐๐๐ ๐คโ๐๐โ ๐๐๐๐๐ ๐ค๐ ๐กโ๐๐๐ ๐๐ ๐๐ ๐๐๐๐๐ ๐ก๐ ๐กโ๐๐๐ ๐๐ ๐๐กโ๐๐ ๐๐๐๐๐ . ๐โ๐ 4๐กโ ๐ด๐ข๐ก๐ข๐๐ ๐๐โ๐๐๐ ๐๐ ๐ถ๐ข๐๐๐ก๐๐๐ ๐ค๐๐๐ ๐๐ ๐ ๐๐๐๐๐๐๐ก๐๐ฃ๐ ๐๐ฅ๐๐๐๐๐๐๐๐, ๐๐๐ ๐๐ ๐คโ๐๐โ ๐๐ฃ๐๐๐ฆ ๐๐๐๐ก๐๐๐๐๐๐๐ก ๐ก๐๐๐๐ ๐๐๐๐ก ๐๐ ๐๐๐๐๐ ๐ก๐ ๐๐๐๐ ๐กโ๐๐ ๐๐๐๐๐ข๐๐ก๐๐ ๐ ๐ก๐๐๐๐๐๐๐ ๐๐ฃ๐๐๐ก. ๐โ๐๐๐ข๐โ ๐ก๐๐๐๐ ๐๐๐ ๐๐๐ ๐๐ข๐ ๐ ๐๐๐๐ , ๐ค๐โ๐๐ ๐๐๐๐ ๐ก๐๐ข๐๐ก ๐กโ๐ ๐๐๐๐๐๐๐ ๐ก๐ ๐๐ ๐ ๐ฆ๐๐โ๐๐๐๐๐๐๐ก๐ฆ, ๐ ๐ก๐๐๐ ๐๐๐ ๐๐๐ก๐๐๐, ๐ ๐๐๐๐ ๐ก ๐โ๐๐๐ก๐๐ ๐๐๐ ๐๐๐๐๐๐๐๐๐ก (๐๐๐ข๐๐๐) ๐ค๐๐ฆ๐ ๐๐ ๐กโ๐๐๐๐๐๐. ๐โ๐ ๐๐๐๐๐๐๐ ๐ก๐ ๐๐ ๐ ๐ฆ๐๐โ๐๐๐๐๐๐๐ก๐ฆ ๐๐๐ข๐๐ ๐๐ ๐ ๐๐๐ก๐๐๐๐ ๐๐ ๐๐ ๐๐ฅโ๐๐๐๐ก๐๐๐ ๐ก๐ ๐๐๐๐, ๐ ๐๐ข๐๐๐๐๐๐๐, ๐ ๐๐๐๐, ๐๐ ๐๐๐ ๐ก๐๐ข๐๐ก๐๐๐,โฆ.๐ ๐ก๐๐๐ ๐๐๐ ๐๐ข๐ก๐ข๐๐ ๐ข๐ ๐. – Philippe van Cauteren
๐๐๐ซ๐ญ๐ข๐๐ข๐ฉ๐๐ญ๐ข๐จ๐ง ๐ข๐ฌ ๐๐ซ๐๐ ๐จ๐ ๐๐ก๐๐ซ๐ ๐.
๐๐ก๐ ๐๐ฏ๐๐ง๐ญ ๐ฐ๐ข๐ฅ๐ฅ ๐๐ ๐ก๐๐ฅ๐ ๐ข๐ง ๐๐ง๐ ๐ฅ๐ข๐ฌ๐ก.
Learn more about this yearโs topic and previous editions here https://ecca.ro/the-autumn-school-of-curating-4th-edition/.
๐โ๐๐ ๐๐๐๐๐๐๐ก ๐๐ ๐๐๐๐๐๐๐๐ ๐๐ฆ ๐กโ๐ ๐๐๐๐๐ ๐ก๐๐ฆ ๐๐ ๐ถ๐ข๐๐ก๐ข๐๐ ๐๐๐ ๐๐-๐๐๐๐๐๐๐๐ ๐๐ฆ ๐กโ๐ ๐๐ข๐๐๐๐๐๐๐๐๐ก๐ฆ ๐๐ ๐๐๐๐๐ ฬฆ๐๐๐๐ ๐กโ๐๐๐ข๐โ ๐กโ๐ ๐ถ๐๐๐ก๐๐ ๐๐๐ ๐๐๐๐๐๐๐ก๐ .